THE SHORT ANSWER IS NO. Color Matching is the key here; a few Realist painters adhere to the Munsell system to match colors. Practitioners of Munsell use his ten basic hues: Yellow (Y), Yellow Green (G-Y), Green (G), Blue-Green (B-G), Blue (B), Purple-Blue (P-B), Purple (P), Red-Purple (R-P), Red (R), and Yellow-Red (Y-R). Lighting and […]
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Nicolai Fechin’s figurative works are so influential that one rarely considers his prowess in other genres. The landscape and still life paintings are masterpieces in their own right; his palette knife technique is both brutal and superb. His orchestration of color sets the stage with analogous surrounds highlighting the lead singer. His painting philosophy and […]
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Fleshing it out, from traditional to transitional Odd Nerdrum works with a very traditional limited palette. He premixes and very seldom goes back to white after he starts. There are no Cadmiums, or Lead White. One should take note that there is no Cadmium Yellow in any of the color strings, there is also no […]
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Frank Morley Fletcher’s ‘Palette Control’ is based on musical metrics of major keys and minor keys 5-3-4 and 4-3-5. https://www.barnstonestudios.com/blog/oil-painting-and-palette-control-newsletter-from-1979/
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Match Made in Heaven If you want to know what local color you see in nature, and want a scientific method to match that color, then the Munsell Color System may be just what you are looking for. This is a near perfect, color matching, solution for those that seek out a recipe and follow […]
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