Sanguine drawing of three quarters view of two figures on tan toned paper. One figure is facing forwards, and the other one is facing backwards.

Are you ready to take your figure drawing to the next level? Learn the Mentler Methode figure structure approach online! No disks, no long flights, just press play and dive in at your own pace!

Start Right Now!
Sanguine drawing of three quarters view of two figures on tan toned paper. One figure is facing forwards, and the other one is facing backwards.

Join us every Friday for a figure drawing session from a model. We will start with short warm-up poses and work our way to longer poses. This is a perfect sequence to work on your gesture!

Sign Up Today!

Follow our Meetup page for drawing sessions and workshop updates.

Our Meetup Group

Current Schedule

Every Wednesday

Mentored Session with Michael Mentler

Drawing from Casts, no live model
10:30am – 1:30pm
Cost: $30 per session

Every Friday

Figure Drawing Sessions

Drawing from nude model, short and/or long pose
10:30am – 1:30pm

Every First Saturday of the Month

Saturday Drawing Sessions

Drawing from nude model, short and/or long pose
10:30am – 1:30pm

Upcoming Labs & Workshops

Physical Materials

Own a real physical disk or book that will last a lifetime instead of fleeting digital downloads.

Art by Michael Mentler

Visit studio owner’s art gallery. A number of original drawings and paintings by Michael Mentler are available for purchase and ready to be added to your collection.

  • ARCHITECTONIC DISEGNO

    ARCHITECTONIC DISEGNO

    Published on

    The apprentice’s advancement requires a careful study of figure structure, as elucidated by Richer, Bridgman, and Hale, familiarizing themselves with the bony structure of the skeleton, and the location, origin, insertion, and function of the muscles. FIGURE STRUCTURE Architectonic Disengno The Architectural Design and Structure of the Human Form The skeletal system is compliant with

    Continue reading…

  • THE FOUR ELEMENTS OF MASS CONCEPTION

    THE FOUR ELEMENTS OF MASS CONCEPTION

    Published on

    THE FOUR ELEMENTS OF MASS CONCEPTION The apprentice should make a daily practice of drawing cubes, spheres and cylinders. In the architectonic drawing, all other forms are composed of these forms or parts of them. The master draughtsman can give the illusion of any complex subject by combining the simple forms or parts of the

    Continue reading…

  • Methods of the Masters

    Methods of the Masters

    Published on

    The ideas and methods presented here are mass conceptions that have proven to be useful in the construction of the human form. These methods were developed over the past several decades from study and absorption of works from many of the usual suspects. John Henry Vanderpoel, George Brant Bridgman, and Robert Beverly Hale form the

    Continue reading…

  • Giovanni-Battista-Piranesi​​ –  Master Draughtman

    Giovanni-Battista-Piranesi​​ – Master Draughtman

    Published on

    “Piranesi and the Temples of Paestum: Drawings from Sir John Soane’s Museum,” This is a link to the Newington-Cropsey Cultural Studies Foundation which is an important resource for all artists who share an interest in preserving and promoting cultural lineage. Click the link to read an excellent article by Gail Leggio from American Arts Quarterly.

    Continue reading…

  • InFORMation

    InFORMation

    Published on

    As has been acknowledged many times that Platonian idealism resides beyond nature, and the Aristotelian principle concludes that the ideal can also be found in life. Plato was relying on a knowledge base that would allow the artist to go beyond nature. Aristotle stressed observing life to add inFORMation to one’s memory bank. These are

    Continue reading…

  • The Nature of Abstraction

    The Nature of Abstraction

    Published on

    There were only a few really great teachers of painting in the 20th century among them Robert Henri and Hans Hofmann. Many would put them in different genres of substantive imagery, but that is not the case. What both men taught was living a life of art, and that painting is pure design. Both were

    Continue reading…