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  • Munich School_Alfred kowalski

    Munich School_Alfred kowalski

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    This type of genre realism was greatly out of favor when we attended the Layton School of Art in the mid-60s. They are still not held in high regard by the art establishment. Their social-realism and folksy genre scenes tend toward Rockwellism and contain too much illustrative narrative to be taken very seriously. What can

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  • Charles Woodbury (1864-1940)

    Charles Woodbury (1864-1940)

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    Charles H. Woodbury was born in Lynn, Massachusetts, while an undergraduate at MIT he became at 19 the youngest member of, the Boston Art Club. After graduation, he painted the New England coastline exhibiting and selling his works. In 1891 went to study at Academie Julian in Paris. It was the time of the Impressionist

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  • SELF FULFILLING PROPHECY

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    OR the Living Master Disaster… ARC bestows the title of Living Master on artists is considers to outstanding examples of their core philosophy. That philosophy reflects the dictums of the mid-19thc French Academy. These Academic Salon paintings display a high degree or craft or technique but little else. There is virtually nothing to distinguish one

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  • THE JURIES STILL OUT

    THE JURIES STILL OUT

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    To Salon or not Salon_This famous painting ‘Le studio de l’artiste’ by Courbet was rejected by the French Government, as were many of his paintings. Courbet never won the prestigious Prix de Rome. He along with Corot and Millet are considered the founding fathers of Realism. We all remember their names but we remember very

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  • Old Holland Oil Paint Review

    Old Holland Oil Paint Review

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    PROSPECTUS:_Old Holland has been making artist colors since 1664, making it one of the oldest continuously operating companies in the art supplies industry. The company is known for uncompromising adherence to traditional techniques and standards. All color making is done by hand, and all processes are controlled by artists. Pigments are ground in stone rather

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  • RUBLEV OIL PAINT REVIEW

    RUBLEV OIL PAINT REVIEW

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    PROSPECTUS:_Rublev claims to use natural and historical pigments like those used by the old masters. They also claim that they make them as they did before modern oil colors—without additives. Rublev Artists Oils are formulated to maintain the unique characteristics of each pigment in oil. What you find in each tube is unique due to

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  • ARCHITECTONIC DISEGNO

    ARCHITECTONIC DISEGNO

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    The apprentice’s advancement requires a careful study of figure structure, as elucidated by Richer, Bridgman, and Hale, familiarizing themselves with the bony structure of the skeleton, and the location, origin, insertion, and function of the muscles. FIGURE STRUCTURE Architectonic Disengno The Architectural Design and Structure of the Human Form The skeletal system is compliant with

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  • THE FOUR ELEMENTS OF MASS CONCEPTION

    THE FOUR ELEMENTS OF MASS CONCEPTION

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    THE FOUR ELEMENTS OF MASS CONCEPTION The apprentice should make a daily practice of drawing cubes, spheres and cylinders. In the architectonic drawing, all other forms are composed of these forms or parts of them. The master draughtsman can give the illusion of any complex subject by combining the simple forms or parts of the

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  • Methods of the Masters

    Methods of the Masters

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    The ideas and methods presented here are mass conceptions that have proven to be useful in the construction of the human form. These methods were developed over the past several decades from study and absorption of works from many of the usual suspects. John Henry Vanderpoel, George Brant Bridgman, and Robert Beverly Hale form the

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  • Giovanni-Battista-Piranesi​​ –  Master Draughtman

    Giovanni-Battista-Piranesi​​ – Master Draughtman

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    “Piranesi and the Temples of Paestum: Drawings from Sir John Soane’s Museum,” This is a link to the Newington-Cropsey Cultural Studies Foundation which is an important resource for all artists who share an interest in preserving and promoting cultural lineage. Click the link to read an excellent article by Gail Leggio from American Arts Quarterly.

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