FORESHORTENING

Believable ‘aspective’ views’ play a major role in foreshortening. When the two methods the Old Masters used to solve the problems of extreme foreshortening are revealed, the novice is baffled to no end. The Master draughtsman has two basic methods of dealing with extreme foreshortening. Method Number One: They ‘eliminated‘ it. Method Number Two: They […]

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ASPECTIVE VIEW

The late Myron Barnstone may not have invented the word ‘aspective’ but he certainly expanded and cemented its meaning. The word ‘aspective‘ seems to have been coined to describe Ancient Egyptian art. The Ancient Egyptians depicted the most recognizable aspects of things. The Egyptians depicted various parts of their subjects to provide the most recognizable […]

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DISEGNO

The Society of Figurative Arts uses the word Disegno to refer to both Designing and Drawing much as the Renaissance Italians did. They recognized Drawing as classical design, a position we share. The system of Disegno used by Leonardo and discovered in the writings of Vitruvius 80-70 BC (The first Roman Architect) lead to Leonardo’s […]

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R.(U.)D.I.M.E.N.T.S.

(U)NDERSTAND As opposed to popular belief, the master draughtsman doesn’t copy what they see; they capture the gestalt, the simplest known visual aspects of the subject at hand.  Drawing/design is, at its core, a creative decision-making process. The first task is to identify and quantify the model’s visual aspects, followed by a determination of which […]

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RUDIMENTS OF DRAWING & DESIGN

Rudimenti di disegno Why the Italian subtitle? These fundamental design principles were rediscovered and further developed during the Italian Renaissance. Most of these systems pre-date the Renaissance, but for us, it is our most tangible historical resource. What exactly are Rudiments? Rudiments are the fundamentals, the building blocks, the essential elements, the founding principles of […]

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