Sanguine drawing of three quarters view of two figures on tan toned paper. One figure is facing forwards, and the other one is facing backwards.

Join us every Wednesday, every Friday, and on the first Saturday of the month for a figure drawing session from live model in Carrollton, TX.

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Sanguine drawing of three quarters view of two figures on tan toned paper. One figure is facing forwards, and the other one is facing backwards.

Learn human proportion and art materials at the Texas Hill Country Atelier in a 4-day hands-on figure drawing workshop with Michael Mentler in Kerrville, TX.

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Sanguine drawing of three quarters view of two figures on tan toned paper. One figure is facing forwards, and the other one is facing backwards.

Are you ready to take your figure drawing to the next level? Learn the Mentler Methode figure structure approach online! No disks, no long flights, just press play and dive in at your own pace!

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Current Schedule

July 3-4

Holiday Break

No figure drawing sessions on Friday and Saturday, July 3 and 4, 2026

Every Wednesday

Long Pose Drawing Session

Drawing from nude or costumed model, long pose
10:30am – 1:30pm

Every Friday

Short Pose Drawing Session

Drawing from nude model, short and/or long pose
10:30am – 1:30pm

Every First Saturday of the Month

Saturday Drawing Session

Drawing from nude model, short and/or long pose
10:30am – 1:30pm

August 31 – September 3, 2026

Figure drawing workshop with Michael Mentler
Kerrville, Texas, USA

Upcoming Labs & Workshops

Physical Materials

Own a real physical disk or book that will last a lifetime instead of fleeting digital downloads.

Art by Michael Mentler

Visit studio owner’s art gallery. A number of original drawings and paintings by Michael Mentler are available for purchase and ready to be added to your collection.

  • Charles Woodbury (1864-1940)

    Charles Woodbury (1864-1940)

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    Charles H. Woodbury was born in Lynn, Massachusetts, while an undergraduate at MIT he became at 19 the youngest member of, the Boston Art Club. After graduation, he painted the New England coastline exhibiting and selling his works. In 1891 went to study at Academie Julian in Paris. It was the time of the Impressionist…

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  • Gertrude Fiske Gallery

    Gertrude Fiske Gallery

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    Fiske (1878-1961) was a Boston School Painter, a student and colleague of American Impressionists Edmund C. Tarbell, Frank Benson, Philip Hale, and Charles Woodbury.  Fiske (1878-1961) was a Boston School Painter, a student and colleague of American Impressionists Edmund C. Tarbell, Frank Benson, Philip Hale, and Charles Woodbury.  Her paintings were composed with an eye…

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  • The Twilight of  Contour

    The Twilight of Contour

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    Let us begin with what is known as the Boston School of Painters. Key figures in the Boston School were Edmund C. Tarbell, Frank Weston Benson, and William McGregor Paxton, all of whom trained in Paris at the Academie Julian and later taught at the School of the Museum of Fine Arts. Other painters associated…

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  • SELF FULFILLING PROPHECY

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    OR the Living Master Disaster… ARC bestows the title of Living Master on artists is considers to outstanding examples of their core philosophy. That philosophy reflects the dictums of the mid-19thc French Academy. These Academic Salon paintings display a high degree or craft or technique but little else. There is virtually nothing to distinguish one…

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  • ACADEMIC XENOPHOBIA

    ACADEMIC XENOPHOBIA

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    Once upon a time, the French Academy dictated what was defined as Fine Art and what was not. If one did not follow the Academies rules, he was considered unskilled, untalented, and scorned by the Academy. We use ‘He’ here because the official Academy did not admit women. These regulated regurgitated governmental dictums held sway…

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  • EACH TO THEIR OWN DEVICES

    EACH TO THEIR OWN DEVICES

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    In his book ‘Secret Knowledge’ Hockney and Professor Martin Kemp, discuss known visual procedures of past Masters. This evidentiary material allows the reader to arrive at their own conclusions. There is more than enough scholarly evidence that Vermeer, and many others, used a form of ‘Camera Obscura’ or curved mirror as a visual aide in…

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